Part A

Terms of Service

How our services, bookings, subscriptions, beats and ownership work.

01 About these Terms

These Terms of Service are between BeatsWithSheph Pty Ltd (ABN 99 656 096 614) of Moorebank, New South Wales, including its studio and production services trading as Sheph Studios and Sheph.ART ("BeatsWithSheph Pty Ltd", "we", "us"), and you, the artist, songwriter, producer, performer or other person who uses our services ("you").

These Terms are made up of Part A (Terms of Service) and Part B (Artist Confidentiality Agreement). Together with our Privacy Policy and any licence, booking confirmation or written agreement we give you, they are referred to as the "Terms".

These Terms apply automatically. By booking a session, signing up for or paying for any service, purchasing or leasing a beat, entering our studio, or otherwise working with us in any way, you agree to be bound by these Terms. If you work with us on behalf of a band, group or company, they are bound too. If you are under 18, the parent or guardian who arranges or pays for the service accepts these Terms on your behalf and is responsible for payment.

We may update these Terms from time to time by publishing a new version on our website. The updated Terms apply to bookings and services from the date they are published. Any change to an existing subscription will be notified to you in writing before it takes effect.

02 How these Terms work with signed contracts

Some services come with a separate written agreement, such as a subscription agreement, production agreement, management agreement, beat licence or split sheet. These Terms apply to every one of those agreements as well, so anything the signed agreement does not cover is covered here.

If a signed agreement says something different on the same topic, the order of priority is:

  1. the signed agreement;
  2. these Terms (Part A and Part B); then
  3. anything published on our website, such as service descriptions or promotional offers.

03 Our services

Our services include annual artist subscription programs, recording and production sessions, mixing and mastering, custom and pre-made beats (leased or sold exclusively), studio dry hire, artist development, management, business advisory and content services, and access to our online portal, webinars and resources.

What is included in each service is set out on our website, in your booking confirmation or in your written agreement. We will provide our services with due care and skill. Music is creative work, so we cannot guarantee a particular commercial result, such as streams, playlist placements, chart positions or record deals.

Sessions may be run by Sheph, our co-founders or another qualified engineer or producer on our team. If a specific person has been promised in writing and becomes unavailable, we will offer to reschedule.

04 Bookings and payments

  1. All prices are in Australian dollars and include GST where applicable.
  2. A booking is confirmed once we receive your deposit. Unless we tell you otherwise, recording sessions require a 50% deposit to book, with the balance due on the studio day before the session starts.
  3. Session times include setup and pack-down. If you arrive late, the session still finishes at the booked time and the full fee applies.
  4. If you pay through a buy now, pay later provider such as Afterpay, Klarna, Zip or PayPal, your repayment arrangement is with that provider and is governed by their terms.
  5. We do not release final files or masters until all amounts owing for that work have been paid in full.
  6. If a payment fails or is overdue, we may pause your services, bookings and portal access until it is paid.

05 Cancellations, rescheduling and refunds

  1. You may reschedule a session once, free of charge, if you give us at least 48 hours' notice. Your deposit carries over to the new date.
  2. If you cancel or reschedule with less than 48 hours' notice, or do not attend, your deposit is non-refundable.
  3. If we need to cancel or reschedule a session, you can choose a new time or a full refund of any amount you have paid for that session.
  4. Because our services involve creative work and studio time set aside for you, we do not offer refunds for a change of mind once a session has taken place or work has been delivered.

Your consumer rights. Our services come with guarantees that cannot be excluded under the Australian Consumer Law. Nothing in these Terms limits those rights. If a service is not provided with due care and skill, you may be entitled to have it supplied again or to a refund.

06 Subscriptions

  1. Our artist subscription programs run for a fixed term of 12 months, billed monthly, unless your written agreement says otherwise.
  2. Inclusions such as beats, mix and masters, strategy sessions and dry hire allocations are provided across your subscription term. Unused inclusions do not carry over into a renewed term and cannot be exchanged for cash.
  3. Your subscription ends at the end of the 12-month term. Before it ends, we will contact you to arrange a renewal for a new 12-month term, which starts with a fresh set of inclusions.
  4. If you end your subscription during the 12-month term, the remaining monthly payments for that term are still payable, unless we agree otherwise in writing or the Australian Consumer Law entitles you to end it.
  5. Portal access, webinars, e-books and other resources are available only while your subscription is active and paid.
  6. Affiliate onboarding and any affiliate commissions are governed by the affiliate terms we give you when you join.

07 Beats and licences

  1. When you lease or purchase a beat, your rights are set out in the licence issued to you at the time of purchase, which forms part of these Terms.
  2. A beat lease is a non-exclusive licence. Unless you buy the exclusive rights, we may continue to license the same beat to other artists.
  3. If a beat is later sold exclusively to someone else, any lease you already hold continues on its existing terms, but no new leases of that beat will be issued.
  4. You must credit the production as "Produced by BeatsWithSheph" (or another credit we agree in writing) wherever credits are displayed.
  5. You must not resell, share, upload or distribute a beat, instrumental or its stems on their own, or register a beat with any content identification system as your own work.

08 Intellectual property

This clause explains who owns what for music made with us under these Terms ("Works"). If someone else has a claim over your copyright, you need to tell us in writing.

a. Publishing (beats, tracks and lyrics)

If we make the beat, or help write the lyrics, for a Work:

  • you assign 50% of the publishing to us; and
  • you keep the other 50%.

If you are only recording a song you wrote yourself, and we did not make the beat or help with the lyrics, this split does not apply and you keep 100% of the publishing.

If a Work ends up being written jointly by you and us, this clause decides ownership in place of the general rule under the Copyright Act 1968 (Cth). The split for each Work will be confirmed in a split sheet or written agreement signed by both parties.

b. Master rights (the recording)

No matter which situation in (a) applies, you own 100% of the master recording, including any claim we might otherwise have from providing the studio or equipment. This applies once all fees for that recording have been paid. It covers the final mixed and mastered recording; project files, session files and wet stems are dealt with in clause A12.

c. Moral rights

Moral rights are separate from ownership. They stay with the person who created the work and cannot be signed away. If we want to edit, remix or change how a Work is credited in a way that could affect someone's moral rights, we will ask for written consent separately.

d. Registering the split

Where the 50/50 publishing split applies, both parties will register it with APRA AMCOS within 30 days of release.

e. Our materials

Our templates, frameworks, training material, e-books, webinars, portal content, sound kits, logos and website content remain our property. You may use them for your own career while you are working with us, but you must not copy, sell, share or republish them.

09 Your responsibilities

You agree that:

  1. the information you give us is accurate, and you will let us know if it changes;
  2. any lyrics, recordings, samples or other material you bring to a session are yours or are properly cleared, and do not infringe anyone else's rights;
  3. you are responsible for clearing any samples you ask us to use, unless we agree in writing to handle clearance;
  4. you will treat our team, other artists and guests with respect; and
  5. you will follow the Artist Confidentiality Agreement in Part B.

If a claim is made against us because material you supplied infringed someone else's rights, you agree to cover the reasonable costs of that claim.

10 Studio rules and dry hire

  1. Guests are welcome only with prior approval, and you are responsible for everyone you bring to the studio.
  2. Illegal drugs, weapons and intoxication are not permitted on the premises. We may end a session without refund if this rule is broken or if anyone's safety is at risk.
  3. You are responsible for any damage to the studio, equipment or furniture caused by you or your guests, other than normal wear and tear.
  4. For dry hire, you must leave the studio in the condition you found it, finish on time, and only allow engineers or producers we have approved to operate the equipment. Overtime is charged at our standard hourly rate.
  5. Personal belongings are left at your own risk.

11 Content and marketing

We often film and photograph sessions for our social media and marketing. You agree that we may use your name, image, voice and likeness from sessions, along with released music and credits, to promote our business and your work.

We will never post your unreleased music without your consent. If you would prefer not to appear in our content, tell us in writing before your session and we will respect that.

12 Session files, stems and storage

Who owns the files. Project files, session files and wet stems (the processed and mixed multitrack files we create) remain our property and are not delivered as part of our services, unless a written agreement says otherwise. What you receive is the final mixed and mastered recording, which you own under clause A8(b).

How long we keep them. We store session files at our discretion and are not obliged to keep them for any set period. Please keep your own copies of everything we deliver to you, as we cannot guarantee files will be available to supply again later. We take reasonable care with stored files, but we are not responsible for loss caused by events outside our reasonable control, such as hardware failure or third-party service outages.

13 Liability

To the extent the law allows, and subject to your rights under the Australian Consumer Law:

  1. our total liability to you for any service is limited to supplying that service again or refunding the amount you paid for it;
  2. we are not liable for indirect or consequential loss, such as lost income, opportunities or reputation; and
  3. we are not responsible for the decisions, actions or payments of third parties, including labels, distributors, streaming platforms, collecting societies and payment providers.

14 Suspension and ending our relationship

We may suspend or end your services, subscription or studio access, with notice where reasonable, if you breach these Terms, fail to pay amounts owing, behave in a threatening or abusive way, or put our team, artists or reputation at risk. Any amounts owing up to that point remain payable.

Clauses about payment, intellectual property, confidentiality (Part B), liability and disputes continue to apply after our relationship ends.

15 Disputes and general terms

  1. Talk to us first. If you have a concern, please email us. We will try to resolve it with you within 14 days. If it can't be resolved, either party may refer it to mediation before going to court, except where urgent court orders are needed.
  2. Governing law. These Terms are governed by the laws of New South Wales, Australia, and you agree to the jurisdiction of its courts.
  3. Privacy. We handle personal information in line with our Privacy Policy and the Privacy Act 1988 (Cth).
  4. No waiver. If we do not enforce a term straight away, we keep the right to enforce it later.
  5. Severability. If any part of these Terms is found to be unenforceable, the rest continues to apply.
  6. Contact. Questions about these Terms can be sent to [email protected].

Part B

Artist Confidentiality Agreement

What goes on in the studio stays protected, for you and for us.

B1 About this agreement

This Part B sets out how confidential information is protected, both yours and ours. It applies to everyone bound by these Terms, and to anyone who comes into the studio with you, such as a featured artist, engineer, manager or guest. You agree to make sure they follow it.

B2 What counts as Confidential Information

Confidential Information means any information you see, hear or receive through your dealings with us that is not already public, whether it is shared verbally, in writing, digitally, in the studio or online. It includes:

  1. Unreleased music and session material, including beats, instrumentals, stems, project files, demos, reference tracks, vocal takes, mixes, masters and sample sources, whether they belong to you, to us or to another artist.
  2. Other artists' work and details, including anything you hear or see from another of our artists or clients, their release plans, collaborations, contact details and personal information.
  3. Our methods and know-how, including production techniques, workflows, templates, presets, sound kits, plugin chains, artist development frameworks, brand audits, content strategies, training material and release or campaign plans.
  4. Commercial information, including pricing not published on our website, subscription terms, contracts, offers, revenue, client and contact lists, label, publisher, distributor and industry contacts, and negotiations.
  5. The studio itself, including the layout, equipment, security arrangements, access codes and anything you observe or record while on the premises at Moorebank.
  6. Anything we mark or tell you is confidential, or that a reasonable person in the music industry would understand to be confidential.

Confidential Information does not include information that:

  • is or becomes public through no fault of yours;
  • you can show you already knew, lawfully, before you received it from us;
  • you receive lawfully from someone else who was free to share it; or
  • is your own original work, which remains yours to share subject to clause A8 and any separate agreement you have signed with us.

B3 Your obligations

You agree that you will:

  1. keep all Confidential Information private and use it only for the purpose of working with us on your own music and career;
  2. not share, post, sell, upload, leak, send or otherwise disclose Confidential Information to anyone, including on social media, streaming or file-sharing platforms, group chats or AI tools, without our written consent;
  3. not copy, download, export, screen-record or remove any session files, stems, beats or project files unless we have delivered them to you for your use;
  4. not use our methods, templates, frameworks or contacts to set up, assist or promote a competing service, or to approach our artists, clients, staff or contractors to take their business elsewhere;
  5. take reasonable care to keep any files or documents we give you secure, such as using password-protected storage and not leaving devices unlocked in shared spaces;
  6. not release, tease or preview any work that includes our beat, production or contribution until it has been cleared for release and any fees owing have been paid; and
  7. tell us straight away if you become aware that Confidential Information has been leaked, lost or misused, and help us limit the damage.

Permitted disclosures. You may share Confidential Information with your own lawyer, accountant, manager or label representative where they genuinely need it to advise you, provided you tell them it is confidential and they agree to keep it that way. You may also disclose it where the law, a court or a regulator requires you to, but you must give us as much notice as you lawfully can so we have a chance to respond.

B4 Our obligations to you

We also agree to protect your confidential information. Artist Confidential Information means your unreleased music, demos, lyrics, stems, project files and session recordings, your release plans and campaign strategies, the terms and fees of your agreements with us, and your personal and contact details, to the extent they are not already public.

We agree that we will:

  1. keep Artist Confidential Information private and use it only to provide services to you and manage our working relationship with you;
  2. not release, leak, sell or share your unreleased music or release plans with anyone outside our business without your consent;
  3. not play or preview your unreleased music to other artists or clients without your consent;
  4. take reasonable steps to store your files and personal information securely; and
  5. tell you promptly if we become aware that your Artist Confidential Information has been leaked, lost or misused, and work with you to limit the damage.

What we may still do. We may share Artist Confidential Information with our staff, engineers, contractors, distributors, publishers and other service providers who need it to deliver our services to you, provided they are bound to keep it confidential. We may promote your work once it has been publicly released, use session footage, snippets or credits for marketing in line with clause A11, and disclose information where the law, a court or a regulator requires it. The exclusions in clause B2 for information that is public, already known or lawfully received from someone else apply to Artist Confidential Information in the same way.

Our obligations under this clause last for the same period set out in clause B6.

B5 Studio, filming and social media

You may film or photograph yourself and your own session for content, but you must not capture other artists, their music playing in the background, screens showing project files or client information, or security features of the building. Please ask a member of our team before posting anything recorded in the studio that shows equipment, staff or the space in detail. We may ask you to take down content that breaches this clause, and you agree to do so within 24 hours.

B6 How long this lasts

These obligations start when you first work with us and continue for as long as you work with us and for three (3) years after your last service with us ends, however it ends. Obligations about unreleased music, other artists' work and personal information continue for as long as that information remains confidential.

When your relationship with us ends, or whenever we ask, you must return or permanently delete any Confidential Information you hold, other than files we have delivered to you for your own use under your agreement.

B7 If this agreement is breached

A leak of unreleased music or confidential business information can cause harm that money alone cannot fix. If you breach this Part B, or we reasonably believe you are about to, we may:

  • suspend or end your access to our services and studio under clause A14;
  • ask a court for an urgent order (an injunction) to stop or limit the breach; and
  • claim compensation for any loss we, or an artist affected by the breach, suffer as a result.

You are responsible for breaches by anyone you bring into the studio or share information with.

✓ Acknowledgement

By working with us in any way, you confirm that you have had the chance to read these Terms, including Part B, and to seek independent advice, and that you agree to be bound by them. No signature or tick box is needed.

SHEPH

© 2026 BeatsWithSheph Pty Ltd (ABN 99 656 096 614). All rights reserved.

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